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    Carmen

    Santa Fe Opera

    Overview

    "...brilliantly directed." –HuffingtonPost.com

    What makes Carmen the world’s most popular opera? Simple: It sizzles. Carmen is an archetypal love story of irresistible dramatic sweep, a meditation on fate and freedom, and an unforgettable portrait of the definitive femme fatale. But most of all, it is music: the highest expression of Bizet’s genius, a trove of melodies that capture all the sun and sensuality of Carmen herself. The international cast for this Carmen comes to Santa Fe from many countries. Argentinian Daniela Mack (6/27-7/18) and Ana María Martínez from Puerto Rico (7/28-8/23) share the title role. Don José, Roberto De Biasio, has catapulted to the forefront of romantic tenors in only seven years since his debut in Bergamo, Italy. The swaggering toreador Escamillo is sung by the bass-baritone Kostas Smoriginas, praised as “utterly charismatic, physically and vocally” (The Guardian) in this role. The exciting young Scottish maestro Rory Macdonald conducts. Stephen Lawless, whose imaginative productions of The Elixir of Love (2009) and Faust (2011) captivated audiences, will direct.

    Note: portrays mature subject matter

    8:30 pm June 27; July 2, 5, 11, 18
    8:00 pm July 28; August 2, 6, 11, 16, 18, 20, 23

    Synopsis

    Composer Georges Bizet
    Librettists Henri Meilhac and Ludovic Halévy

    Sung in French
    Note: portrays mature subject matter

    ACT I
    Near a cigarette factory in a square, a group of soldiers gather. Micaëla, a peasant girl approaches them and inquires about a corporal, Don José. She is teased and leaves. Don José arrives at the changing of the guard and learns that Micaëla has been looking for him. The factory bell rings and the men watch the women – especially one named Carmen – arrive in the square. She tells the men about love and freedom. The one man who pays her no attention, Don José, is the one who receives a flower from Carmen. The women return to work and José hides the flower. Micaëla returns with a letter and a kiss from his mother.

    A fight breaks out at the cigarette factory involving Carmen, and Lieutenant Zuniga orders José to take Carmen to prison. She seduces José and suggests a rendezvous at Pastia’s tavern. He agrees to let her escape, but he is arrested.

    ACT II
    At Lillas Pastia’s tavern, Carmen, Frasquita, and Mercédès celebrate their independent lifestyle. The toreador Escamillo enters and flirts with Carmen. The smugglers Dancaïre and Remendado enter and explain their latest operation to Carmen and her friends. She refuses to join them as she is in love with and waiting for José. He arrives at the tavern and she dances for him. When a bugle sounds, José says he must return to the barracks and she becomes angry. José shows her the flower she gave him that he had kept throughout prison. Carmen insists that if he really loved her, he would desert the army. Zuniga interrupts the pair, provoking José, and the smugglers return and disarm Zuniga. José now has no choice but to join the smugglers.

    ACT III
    In a mountain hideaway, Carmen and José quarrel. She tells him her love is waning and that he should return to his mother. Carmen joins Frasquita and Mercédès, who find wealth and fortune in their cards, but Carmen only finds death. Micaëla wanders into the mountains and is startled by a gunshot: José has fired at Escamillo who is in search of Carmen. The two fight until the smugglers break it up. The toreador invites everyone, especially Carmen, to a bullfight. Micaëla appears and pleads with José to return to his dying mother, and José agrees but warns Carmen that she will see him again.

    ACT IV
    At the bullfight, the crowd cheers for Escamillo’s arrival. Carmen and the toreador declare their love for each other even though José is nearby. José begs Carmen to start a new life with him, but she says their affair is over. She throws José's ring back at him, and he stabs her to death.

    Artists

    • Carmen (6/27 - 7/18) - Ann Howard
    • Carmen (6/27 - 7/18) - Gwendolyn Killebrew
    • Micaëla - Joanna Bruno
    • Don José - Jacques Trussel
    • Escamillo - Brent Ellis
    • Escamillo - Samuel Ramey
    • Zuniga - William Dansby
    • Le Dancairo - Bruce A. Hubbard
    • Le Remendado - Douglas Perry
    • Morales - John Franklin
    • Frasquita - Sarah Beatty
    • Mercedes - Faith Esham
    • Conductor - John Crosby
    • Director - Bliss Hebert
    • Scenic Designer - Rouben Ter-Arutunian
    • Costume Designer - Suzanne Mess
    • Lighting Designer - Georg Schreiber
    • Choreographer - Maria Benitez