
Ariodante 1987
Deception and betrayal…
…yield to chivalry and love in this impressive tale derived from Ariosto’s epic poem Orlando furioso. A masterpiece of oratorio, Ariodante is testimony to Handel’s sublime artistry.
Synopsis
Act I
The mutual love of the Princess Ginevra and Prince Ariodante has full approval of her father, the King of Scotland. As the opera begins, she is confiding her feelings to Dalinda when Polinesso, the Duke of Albany, who covets the throne, bursts into her room and makes advances to her, which she forcefully rejects. Dalinda tells him that Ginevra’s heart is already bestowed, but confides that she herself is not indifferent to him: a plot thereupon forms itself in his mind to make use of her to be revenged on Ginevra and gain his ends. Meanwhile, in the royal gardens, Ariodante and Ginevra, exchanging vows, are given the blessing of the King, who intends making Ariodante his successor.
Polinesso persuades Dalinda to dress up as Ginevra and admit him into her room that night: to convince Dalinda to aid him in this deceit, he promises to respect her honor and make her his wife. Dalinda is overjoyed, and when Ariodante’s brother, Lurcanio, appears and declares his love for her, she quickly evades him. The act ends with the betrothed royal couple expressing their happiness and calling upon the nymphs and shepherds to celebrate their joy in dance and song.
Artists

Tatiana Troyanos
Mezzo-soprano
Ariodante

Benita Valente
Soprano
Ginevra

Janice Hall
Soprano
Dalinda

James Bowman
Countertenor
Polinesso

Kevin Langan
Bass
The King of Scotland

Neil Rosenshein
Tenor
Lurcanio

Jeffrey Reynolds
Tenor
Odoardo

Gloria DeSanto
Dancer

Eliza Kuelthau
Dancer

Kelly Gottschall
Dancer

Nancy Onizuka Waterman
Dancer

Tom Connor
Dancer

James DeVille
Dancer

Roger Montoya
Dancer

Scott Robb
Dancer

Nicholas McGegan
Conductor

John Copley
Director

John Conklin
Scenic Designer

Michael Stennett
Costume Designer

Craig Miller
Lighting Designer

Gary Wedow
Chorus Master