
Così fan tutte 1958
This bittersweet opera…
…uses the duplicity of men to test the fidelity of women, revealing the humanity of both.
Synopsis
Act I
Seated in a cafe, Ferrando and Guglielmo defend their ladies, the sisters Fiordiligi and Dorabella against an attack on women by the cynical Don Alfonso. Don Alfonso promises to prove the inconstancy of women, including the sisters, if the two young men will put themselves unreservedly in his hands for twenty-four hours. They promise to do so, and amuse themselves by planning how to spend the money they are sure to win.
The scene changes and the sisters are discovered in sentimental raptures over the miniature portraits of their lovers. Their day-dreaming is interrupted by Don Alfonso, who has sad news: Ferrando and Guglielmo have been called to war and must leave immediately. The young men enter, say their sad farewells, and march off to a military air. The girls pray for their safety.
Disconsolate, the ladies are served chocolate by their maid, Despina. When Dorabella gives vent to her unhappiness, Despina advises another line: lovers’ absences are time for sport, not sadness. Disgusted, the sisters go out, and Don Alfonso enters to enlist the support of the clever Despina. The two young men appear in disguise and Despina and Alfonso plan to have them win the affections of the ladies in the guise of strangers. The sisters are indignant at finding two strange men in their house, but Don Alfonso enters and pretends to recognize the imposters as old friends. He urges the sisters to be kind to the visitors. Fiordiligi makes it quite clear that their protestations of love are fruitless, but the men persist until the ladies flee the room. Guglielmo and Ferrando are sure they have won their bet, but Don Alfonso reminds them of their promise to give him twenty-four hours to prove his point.
The ladies are walking in the garden when suddenly the masqueraders rush in with bottles of poison which Alfonso is unable to prevent their drinking. As the men sink into a coma, the doctor is hastily summoned. The doctor (Despina in disguise) employs the latest medical devices and restores the youths to health. Ferrando and Guglielmo, thus restored, imagine that they are already in the Elysian Fields and demand a kiss from the Goddesses. This is denied them as the act ends.
Artists

Saramae Endich
Soprano
Fiordiligi

Mary McMurray
Soprano
Dorabella

Regina Sarfaty
Mezzo-soprano
Dorabella

Loren Driscoll
Tenor
Ferrando

Peter Binder
Baritone
Guglielmo

Judith Raskin
Soprano
Despina

Mildred Allen
Soprano
Despina

Andrew Foldi
Bass-baritone
Don Alfonso

Robert Baustian
Conductor

Robert Ackart
Director

Patton Campbell
Costume Designer
Production Designer