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Dialogues of the Carmélites 1966

July 15 - 23, 1966

Even a convent offers no safe haven…

…for the faithful.  Overcoming her deepest fears, a young nun joins her sisters in martyrdom at the guillotine.  Poignant drama of faith set amid the French Revolution.

Music By
Francis Poulenc
English Text By
Joseph Machlis
Text of the Drama By
Georges Bernanos
Inspired By a Novel of
Gertrud von le Fort
And a Scenario By
Rev. Father Bruckberger and Philippe Agostini
Adapted o a Lyric Opera with the Authorization Of
Emmet Lavery

Synopsis

Act I

In May, 1770, the people of Paris were celebrating the wedding of the Dauphin of France to Marie Antoinette. The Marquis de Ia Force and his wife were on the way home in their carriage when some of this throng panicked and, surrounding the coach, broke one of its windows. The pregnant Marquise became terrified and, a few hours after being rescued from the mob by soldiers, died following the birth of a daughter Blanche.

The Marquis is taking a nap in his library when his son arrives with news that the people are rioting in the streets and that Blanche is somewhere among them. The Marquis remembers what happened to her mother and is worried. The Chevalier is more worried about what the excitement will do to her nerves, for she has always been prey to fear (he calls her “little rabbit”), but the Marquis believes that a good marriage will cure her. Blanche enters, exhausted by her experience with the crowds, and asks to go to her room. Brother and sister exit, but Blanche returns, in terror, having seen a strange shadow. She tells her father that she wants to join the Carmelite order because she can no longer live in the world.

The Prioress of the Convent tries to determine whether Blanche is genuinely interested in becoming a nun and, so, speaks strongly to her. She is satisfied by Blanche’s determination and is greatly moved when Blanche unconsciously chooses the name she herself had considered using, “Sister Blanche of the Agony of Christ.”

Blanche and Sister Constance are talking together: Blanche cannot understand why her friend is so gay when the Prioress is so ill. Sister Constance says she would gladly give up her life for the Prioress. Blanche, with her fear of death, cannot accept this thought and, when Sister Constance further says that she believes they will both die the same day while still young, Blanche becomes angry.

The dying Prioress has come to fear the approach of death. Feeling a strange kinship to Blanche, she blesses the girl. Then begins her death agony, and in her delirium she sees the desecration of the convent.

Artists

Sylvia Stahlman

Soprano

Blanche

Jean Kraft

Jean Kraft

Mezzo-soprano

Prioress

Catherine Christensen

Soprano

Sister Constance

Dorothy Krebill

Mezzo-soprano

Mother Marie

Joan Moynagh

Joan Moynagh

Soprano

Madame Lidoine

Jennifer Chase

Mezzo-soprano

Mother Jeanne

Paula Page

Mezzo-soprano

Sister Mathilde

Don Jones

Tenor

The Chevalier

Benjamin Rayson

Baritone

Marquis de la Force

David Holloway

Baritone

Thierry

Leon Petrus

Baritone

M. Javelinot

Howard Fried

Tenor

1st Commissioner

Michael Riley

Bass

2nd Commissioner

Paul Franke

Paul Franke

Tenor

Chaplain

Adib Fazah

Adib Fazah

Baritone

An Officer

Julian Patrick

Julian Patrick

Baritone

The Jailer

Robert Baustian

Robert Baustian

Conductor

Vera Zorina

Director and Actress

Lawrence Reehling

Scenic Designer

Jack Edwards

Costume Designer

Joan Larkey

Lighting Designer

R. Whitman Procter

Chorus Master