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1997production photo from La traviata

La traviata 1997

June 27 - August 23, 1997

The elegant world of the Parisian demimonde…

…is the backdrop for Verdi’s passionate story of honor and loyalty, as a beautiful courtesan sacrifices her happiness for true love.

Music By
Giuseppe Verdi
Libretto By
Francesco Maria Piave

Synopsis

Act I

In her Paris salon, the courtesan Violetta Valéry greets party guests, including Flora Bervoix, the Marquis d’Obigny, Baron Douphol, and Gastone, who introduces a new admirer, Alfredo Germont. This young man, having adored Violetta from afar, joins her in a drinking song (Brindisi: Libiamo). An orchestra is heard in the next room, but as guests move there to dance, Violetta suffers a fainting spell, sends the guests on ahead, and goes to her parlor to recover. Alfredo comes in, and since they are alone, confesses his love (Un dì felice). At first Violetta protests that love means nothing to her. Something about the young man’s sincerity touches her, however, and she promises to meet him the next day. After the guests have gone, Violetta wonders if Alfredo could actually be the man she could love (Ah, fors’è lui). But she decides she wants freedom (Sempre libera), though Alfredo’s voice, heard outside, argues in favor of romance.

Act II

Some months later Alfredo and Violetta are living in a country house near Paris, where he praises their contentment (De’miei bollenti spiriti). But when the maid, Annina, reveals that Violetta has sold her possessions to keep the house, Alfredo leaves for the city to settle matters at his own cost. Violetta comes looking for him. An invitation arrives from Flora for a party that night. Violetta has no intention of going back to her old life, but trouble intrudes with the appearance of Alfredo’s father. Though impressed by Violetta’s ladylike manners, he demands she renounce his son: the scandal of Alfredo’s affair with her has threatened his daughter’s engagement (Pura siccome un angelo). Violetta says she cannot, but Germont eventually convinces her (Dite alla giovine). Alone, the desolate woman sends a message of acceptance to Flora and begins a farewell note to Alfredo. He enters suddenly, surprising her, and she can barely control herself as she reminds him of how deeply she loves him (Amami, Alfredo) before rushing out. A servant brings Alfredo her farewell note as Germont returns to console his son with reminders of family life in Provence (Di Provenza). But Alfredo, seeing Flora’s invitation, suspects Violetta has thrown him over for another lover. Furious, he determines to confront her at the party.

Act III

At her soirée that evening, Flora learns from the Marquis that Violetta and Alfredo have separated, then clears the floor for hired entertainers – a band of fortune-telling Gypsies and some matadors who sing of Piquillo and his coy sweetheart (E Piquillo un bel gagliardo). Soon Alfredo strides in, making bitter comments about love and gambling recklessly at cards. Violetta arrives with Baron Douphol, who challenges Alfredo to a game and loses a small fortune to him. Everyone goes in to supper, but Violetta has asked Alfredo to see her. Fearful of the Baron’s anger, she wants Alfredo to leave, but he misunderstands her apprehension and demands that she admit she loves Douphol. Crushed, she pretends she does. Alfredo calls in the others, denounces his former love and hurls his winnings at her feet (Questa donna conoscete?). Germont enters in time to see this and denounces his son’s behavior. The guests rebuke Alfredo and Douphol challenges him to a duel.

Act IV

In Violetta’s bedroom six months later, Dr. Grenvil tells Annina her mistress has not long to live: tuberculosis has claimed her. Alone, Violetta rereads a letter from Germont saying the Baron was only wounded in his duel with Alfredo, who knows all and is on his way to beg her pardon. But Violetta senses it is too late (Addio del passato). Paris is celebrating Mardi Gras and, after revelers pass outside, Annina rushes in to announce Alfredo. The lovers ecstatically plan to leave Paris forever (Parigi, o cara). Germont enters with the doctor before Violetta is seized with a last resurgence of strength. Feeling life return, she staggers and falls dead at her lover’s feet.

Artists

Patricia Racette headshot

Patricia Racette

Soprano

Violetta Valéry

Raymond Very headshot

Raymond Very

Tenor

Alfredo Germont

Beth Clayton headshot

Beth Clayton

Mezzo-soprano

Flora Bervoix

William Stone headshot

William Stone

Baritone

Giorgio Germont

Beau Palmer headshot

Beau Palmer

Tenor

Gastone

John Atkins headshot

John Atkins

Baritone

Baron Douphol

George Cordes headshot

George Cordes

Bass-baritone

Doctor Grenvil

María Benítez headshot

María Benítez

Choreographer/Dancer

(June 27 - Aug. 12 & 19)

Molly Rose headshot

Molly Rose

Dancer

(August 16 & 23)

Santa Fe Opera

Judd Ernster

Bass

Marquis d'Obigny

Carissa Casbon headshot

Carissa Casbon

Soprano

Annina

Brian Frutiger headshot

Brian Frutiger

Tenor

Giuseppe

Derrick Ballard headshot

Derrick Ballard

Bass

A Commissioner

Patrick Carfizzi headshot

Patrick Carfizzi

Bass-Baritone

Flora's servant

John Crosby headshot

John Crosby

Conductor

(June 27 - July 9)

Christopher Larkin headshot

Christopher Larkin

Conductor

(July 18 - August 23)

Linda Brovsky headshot

Linda Brovsky

Director

Robert Perdziola headshot

Robert Perdziola

Scenic Designer

Santa Fe Opera

David Walker

Costume Designer

Duane Schuler headshot

Duane Schuler

Lighting Designer

María Benítez headshot

María Benítez

Choreographer/Dancer

Gary Wedow headshot

Gary Wedow

Chorus Master