
Orpheus in the Underworld 1983
With its naughty Can-Can…
…this tongue-in-cheek morality tale has become synonymous with French joie de vivre.
Synopsis
Act I
A short synopsis of the Orpheus legend, particularly as conceived by the composer Gluck, is in order.
Orpheus, supreme musician and poet, is bereft at the death of his wife, Eurydice. His grief is so great that he defies Hell itself to regain her (one must remember that in Greek antiquity all of the dead go to Hades, the Underworld, through which flows the River Styx). Orpheus enters Hades at the risk of his own life. He overwhelms the powers of Hell by the eloquence of his songs and is awarded Eurydice. But there is one condition: on his journey back to earth, he must precede her and never look back, lest she be taken from him forever. On the journey, Eurydice’s pleas are so fervent that Orpheus defies the edict and looks back on his wife, who dies once again. His eulogy over her body is so moving that the God of Love descends as deus ex machina and rewards Orpheus’ fidelity with the revivified Eurydice.
The countryside near Thebes. On one side, the cottage of Aristeus, a beekeeper. On the other side, the cottage of Orpheus, director of the Thebes male-voice choral society.
Shepherds and Shepherdesses are returning home through the corn fields with their sheep. Members of the Town Council congratulate themselves on their expertise in caring for the populace.
Public Opinion appears and explains his part in the proceedings; he will replace the traditional Greek chorus, but in addition to interpreting the action, he will also be a participant. Eurydice, wife of Orpheus, is in love with Aristeus. As she is decorating the beekeeper’s doorway with corn flowers, Orpheus mistakes her for a nymph he has been seeing. When he recognizes his own wife, he berates her for her infidelity. Eurydice is quick with rejoinders. The enraged Orpheus inflicts his latest concerto on her; she is revolted and they separate, Orpheus uttering oaths to set deadly traps in the com field for his rival.
Aristeus arrives in the midst of a bucolic celebration. He confides to the audience that he is not what he appears to be. Eurydice rushes in to warn him about the traps in the fields. He gaily gambols amidst the corn, followed by Eurydice. She is bitten by a deadly snake, set in one of the traps, and dies. Aristeus reveals his true person; he is Pluto, God of Hades. He revives the dead Eurydice for a moment so she can write a trite farewell note to Orpheus, after which he carries her off to Hell.
Orpheus returns and is overjoyed when he learns of his wife’s death. Public Opinion is near at hand; Orpheus, fearful of losing his reputation, is forced to go to Olympus to lodge a complaint with Jupiter. He must demand the return of his wife “for the edification of posterity.”
Artists

Neil Rosenshein
Tenor
Orphée

Karen Hunt
Soprano
Eurydice (July 1- August 9)

Sheri Greenawald
Soprano
Eurydice (August 18 - 27)

Ann Howard
Mezzo-soprano
L'Opinion Publique

Jack Davison
Baritone
Napoléon

James Atherton
Tenor
Aristée-Pluton

Karen Beardsley
Soprano
Cupidon

John Atkins
Baritone
Mars

Sheryl Woods
Soprano
Vénus

Claude Corbeil
Bass-baritone
Jupiter

Cynthia Clarey
Mezzo-soprano
Diane

Joseph Frank
Tenor
Mercure

Judith Christin
Mezzo-soprano
Junon

Nico Castel
Tenor
John Styx

Deborah Lazenby
Soprano
Empress Eugénie

Glenn Billingsley
Baritone
Morphée

Victor De Lorenzo
Bass
Un Licteur

Mary Benson
Soprano
Minerve

John Crosby
Conductor

Bliss Hebert
Director

Nancy Thun
Scenic Designer

Steven B. Feldman
Costume Designer

Craig Miller
Lighting Designer

Rodney Griffin
Choreographer

Gary Wedow
Chorus Master