Orpheus in the Underworld 1983

Synopsis
Artists

With its naughty Can-Can…

…this tongue-in-cheek morality tale has become synonymous with French joie de vivre.

Music By

Jacques Offenbach

Text By

Hector Crémieux and Ludovic Halévy

Santa Fe Version By

Bliss Hebert

Act I

A short synopsis of the Orpheus legend, particularly as conceived by the composer Gluck, is in order.

Orpheus, supreme musician and poet, is bereft at the death of his wife, Eurydice. His grief is so great that he defies Hell itself to regain her (one must remember that in Greek antiquity all of the dead go to Hades, the Underworld, through which flows the River Styx). Orpheus enters Hades at the risk of his own life. He overwhelms the powers of Hell by the eloquence of his songs and is awarded Eurydice. But there is one condition: on his journey back to earth, he must precede her and never look back, lest she be taken from him forever. On the journey, Eurydice’s pleas are so fervent that Orpheus defies the edict and looks back on his wife, who dies once again. His eulogy over her body is so moving that the God of Love descends as deus ex machina and rewards Orpheus’ fidelity with the revivified Eurydice.

The countryside near Thebes. On one side, the cottage of Aristeus, a beekeeper. On the other side, the cottage of Orpheus, director of the Thebes male-voice choral society.

Shepherds and Shepherdesses are returning home through the corn fields with their sheep. Members of the Town Council congratulate themselves on their expertise in caring for the populace.

Public Opinion appears and explains his part in the proceedings; he will replace the traditional Greek chorus, but in addition to interpreting the action, he will also be a participant. Eurydice, wife of Orpheus, is in love with Aristeus. As she is decorating the beekeeper’s doorway with corn flowers, Orpheus mistakes her for a nymph he has been seeing. When he recognizes his own wife, he berates her for her infidelity. Eurydice is quick with rejoinders. The enraged Orpheus inflicts his latest concerto on her; she is revolted and they separate, Orpheus uttering oaths to set deadly traps in the com field for his rival.

Aristeus arrives in the midst of a bucolic celebration. He confides to the audience that he is not what he appears to be. Eurydice rushes in to warn him about the traps in the fields. He gaily gambols amidst the corn, followed by Eurydice. She is bitten by a deadly snake, set in one of the traps, and dies. Aristeus reveals his true person; he is Pluto, God of Hades. He revives the dead Eurydice for a moment so she can write a trite farewell note to Orpheus, after which he carries her off to Hell.

Orpheus returns and is overjoyed when he learns of his wife’s death. Public Opinion is near at hand; Orpheus, fearful of losing his reputation, is forced to go to Olympus to lodge a complaint with Jupiter. He must demand the return of his wife “for the edification of posterity.”

Act II

Mount Olympus. The gods are asleep in the clouds, humming peacefully. Cupid, Venus and Mars return from their secret jaunts to Cythera to join their sleeping brothers and sisters. Morpheus sprinkles poppy dust on his sleeping colleagues, but he and Night are driven away by the morning hours, led by the sun, Aurora.

A distant fanfare awakens the gods and announces the return of Diana, the Huntress. She is furious at the loss of her beloved Acteon, whom Jupiter has changed into a deer to save Diana’s reputation. Diana is joined by the shrewish Juno, Jupiter’s wife, quickly followed by Venus and Cupid in upbraiding Jupiter, whose reputation in sexual matters is hardly godlike. Mercury joins them with the information that Pluto has kidnapped a married earthling and taken her to Hell. The god’s messenger is interrupted by Pluto himself, escorted by little imps. Jupiter takes him to task; indeed, the king of the gods has an uncanny knowledge of Pluto’s comings and goings. Fortunately for Pluto, the other gods have organized a protest march and are on the verge of mutiny against Jupiter, who is reminded of his infidelities with Alkmene, Europa, Danae and Leda.

Mercury ushers in an unexpected guest, Orpheus. Public Opinion takes his place at the musician’s side. Orpheus (as was planned) begs Jupiter to return Eurydice and accuses the kidnapper, Pluto. Jupiter, who senses another conquest in Eurydice, develops a scheme of his own: he will go to Hell in person to investigate the affair. The other gods gaily decide to accompany him. Only Pluto and Orpheus are disgusted by the new turn of events.

Act III

Scene 1 – Hades. In Pluto’s study, Eurydice is bored (to death?) after two days of imprisonment in the company of the boorish butler, John Styx. It seems that, on earth, John was the mighty King of Boeotia. Due to his prowess in languages, Pluto has made him his English butler. John cannot conceal his tender feelings for his voluptuous prisoner. His advances are interrupted by the arrival of the gods: as ordered by Pluto, Eurydice is locked away. Jupiter is anxious to meet the fair Eurydice but is foiled at every turn by Pluto. In a last desperate effort, Jupiter calls upon three judges of Hell, Minos, Eache and Radamante, who question Cerberus, the doorkeeper of Hell. Jupiter realizes that they are all in Pluto’s pay and disperses them with a lightning bolt. Cupid brings in a band of policemen and, with their help, finds the whereabouts of Eurydice. Unfortunately, the door is locked: Jupiter is changed into a fly and enters through the keyhole. Eurydice is charmed by her new companion and showers him with kisses. Jupiter reveals his true self and promises Eurydice to take her to Olympus. They plan to escape during a party Pluto is giving for the gods. Pluto rushes in looking for Eurydice and the Jupiter-fly, but is carried off by a swarm of flies.

Scene 2 – Pluto’s party on the banks of the River Styx. The party is at its height, and the gods are having a marvelous time. Jupiter and Eurydice have planned to escape during a cancan, but Pluto blocks their way. Another quarrel breaks out, and Pluto reminds Jupiter that he had pledged himself to return Eurydice to her husband. (Pluto, by this time, has found Eurydice to be a shrew and longs to get rid of her.)

Orpheus arrives and is joined by Public Opinion. Jupiter announces the condition for Eurydice’s return. Orpheus must lead Eurydice out of Hell but never look back at her. Jupiter panics when he realizes that our hero is not about to look back. He cheats and kicks Orpheus’ behind. Orpheus, startled, looks back and Eurydice vanishes. In the confusion, Jupiter consigns the faithless wife to Bacchus; Orpheus is left free to enrich the world with his lyric poetry, and the gods can return to Olympus to recover from their hangovers.

Orpheus in the Underworld 1983

Synopsis

Act I

Act II

Act III

Artists

Neil Rosenshein

Neil Rosenshein

Karen Hunt

Karen Hunt

Sheri Greenawald

Sheri Greenawald

Ann Howard

Ann Howard

Jack Davison

Jack Davison

James Atherton

James Atherton

Karen Beardsley

Karen Beardsley

John Atkins

John Atkins

Sheryl Woods

Sheryl Woods

Claude Corbeil

Claude Corbeil

Cynthia Clarey

Cynthia Clarey

Joseph Frank

Joseph Frank

Judith Christin

Judith Christin

Nico Castel

Nico Castel

Deborah Lazenby

Deborah Lazenby

Glenn Billingsley

Glenn Billingsley

Victor De Lorenzo

Victor De Lorenzo

Mary Benson

Mary Benson

John Crosby

John Crosby

Bliss Hebert

Bliss Hebert

Nancy Thun

Nancy Thun

Steven B. Feldman

Steven B. Feldman

Craig Miller

Craig Miller

Rodney Griffin

Rodney Griffin

Gary Wedow

Gary Wedow

Orpheus in the Underworld 1983