
Salome 1976
A tautly dramatic story…
…of decadence, lust and death in Biblical Judea
Synopsis
One Act
The scene is a terrace above the banquet hall in the palace of Herod, Tetrarch of Judea. Palace soldiers are on guard as the Tetrarch entertains within the hall. Narraboth, Captain of the Guard, speaks with the Page of his deep infatuation with the beautiful Princess Salome. The Page, hurt by Narraboth’s feelings, warns him of the dangers and futility of his love.
Salome, bored with the excesses of the banquet and the persistent attentions of her stepfather, appears on the terrace, and is intrigued by the strange voice coming from the cistern. The voice is that of Jokanaan, a prophet who has been preaching against Herodias as a murderous adulteress. Curious to see him, Salome asks that he be brought up from the cistern. Narraboth, unable to resist her persuasion, does as she asks, against Herod’s orders.
Jokanaan comes into the open continuing his denunciation of the Tetrarch’s wife and the court. Salome is immediately and completely overcome with desire for him, and Narraboth, realizing that he will never be regarded as more than a servant, kills himself unnoticed. When Jokanaan discovers Salome to be the daughter of Herodias, he curses her also and returns to the cistern leaving Salome pouting as a frustrated child.
Herod, Herodias, and their company enter the terrace. The dissolute Herod is full of personal and political fears, and is torn between his desire for Salome and his constant reading of ill omens and signs. He again turns his attention to Salome who, still intent on her encounter with Jokanaan, ignores him.
An argument ensues between the Tetrarch and his wife, who is jealous and derisive of his obvious attraction to her daughter. The disagreement is climaxed with Jokanaan’s voice again rising in denunciation of Herodias, who berates Herod for leaving the prophet unpunished.
The Jews and Nazarenes in the company become involved in a religious debate, and Salome, to her mother’s anger, gives in to Herod’s offer of any reward if she will dance for him.
Salome performs her sensual dance, ostensibly for Herod, with all her attention on the cistern. As her reward she demands the head of Jokanaan, which Herod finally allows her after frantic attempts to reach an alternative.
On receiving the head, Salome is transported into a sexual frenzy, speaking with Jokanaan as though he were alive, and finally fulfilling her frustrated lust by kissing the mouth she had been denied. Herod, horrified, orders her to be killed by the soldiers.
Artists

Nancy Shade
Soprano
Salome

William Dooley
Bass-baritone
Jokanaan

Ragnar Ulfung
Tenor
Herod

Elaine Bonazzi
Mezzo-soprano
Herodias

William Lewis
Tenor
Narraboth

Annette Spann
Mezzo-soprano
Page

Robert Grayson
Tenor
First Jew

James Atherton
Tenor
Second Jew

Frederick Kennedy
Tenor
Third Jew

James O'Neal
Tenor
Fourth Jew

John-Paul Bogart
Bass-baritone
Fifth Jew

Gene Ives
Baritone
First Nazarene

Stephen Bryant
Bass-baritone
Second Nazarene

Daniel McConnell
Bass-baritone
First Soldier

Julien Robbins
Bass-baritone
Second Soldier

Andrew Taylor
Baritone
A Cappadocian

Gloria Capone
Soprano
A Slave

John Crosby
Conductor

Bliss Hebert
Director

Maria Svetlova
Choreographer

Allen Charles Klein
Scenic Designer
Costume Designer

Georg Schreiber
Lighting Designer

Terry Lusk
Chorus Master