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Salome 1978

July 29 - August 24, 1978

Strauss’ masterpiece…

…the story of Salome comes across with the startling impact which once saw it banned from numerous operatic stages.

Music By
Richard Strauss
Libretto
Based on a play by Oscar Wilde
German Translation By
Hedwig Lachmann

Synopsis

Music drama in one act

The scene is set on a terrace above the banquet hall in the palace of Herod, Tetrarch of Judea.

Palace soldiers are on guard as the Tetrarch entertains within the hall. Narraboth, Captain of the Guard, speaks with the Page of his deep infatuation with the beautiful Princess Salome. The Page, hurt by Narraboth’s feelings, warns him of the dangers and futility of his love.

Salome, bored with the excesses of the banquet and the persistent attentions of her stepfather, appears on the terrace, and is intrigued by the strange voice coming from the cistern. The voice is that of Jokanaan, a prophet who has been preaching against Herodias as a murderous adulteress. Curious to see him, Salome asks that he be brought up from the cistern. Narraboth, unable to resist her persuasion, does as she asks, against Herod’s orders.

Jokanaan comes into the open continuing his denunciation of the Tetrarch’ s wife and the court. Salome is immediately and completely overcome with desire for him, and Narraboth, realizing that he will never be regarded as more than a servant, kills himself unnoticed. When Jokanaan discovers Salome to be the daughter of Herodias, he curses her also and returns to the cistern leaving Salome pouting as a frustrated child.

Herod, Herodias, and their company enter the terrace. The dissolute Herod is full of personal and political fears, and is tom between his desire for Salome and his constant reading of ill omens and signs. He again turns his attention to Salome who, still intent on her encounter with Jokanaan, ignores him.

An argument ensues between the Tetrarch and his wife, who is jealous and derisive of his obvious attraction to her daughter. The disagreement is climaxed with Jokanaan’s voice again rising in denunciation of Herodias, who berates Herod for leaving the prophet unpunished.

The Jews and Nazarenes in the company become involved in a religious debate, and Salome, to her mother’s anger, gives in to Herod’s offer of any reward if she will dance for him.

Salome performs her sensual dance, ostensibly for Herod, with all her attention on the cistern. As her reward she demands the head of Jokanaan, which Herod finally allows her after frantic attempts to reach an alternative.

On receiving the head, Salome is transported into a sexual frenzy, speaking with Jokanaan as though he were alive, and finally fulfilling her frustrated lust by kissing the mouth she had been denied. Herod, horrified, orders her to be killed by the soldiers.

Artists

Santa Fe Opera

Josephine Barstow

Soprano

Salome

William Dooley headshot

William Dooley

Bass-baritone

Jokanaan

Ragnar Ulfung headshot

Ragnar Ulfung

Tenor

Herod

Sheila Nadler headshot

Sheila Nadler

Contralto

Herodias

Santa Fe Opera

John Stewart

Tenor

Narraboth

Santa Fe Opera

Susan Quittmeyer

Mezzo-soprano

Page

Santa Fe Opera

Kevin Maynor

Bass-baritone

First Soldier

Santa Fe Opera

Terry Cook

Bass

Second Soldier

Santa Fe Opera

Neal Schwantes

Baritone

Cappadocian

Santa Fe Opera

Pamela Hicks

Soprano

Slave

Santa Fe Opera

James Anderson

Tenor

First Jew

Santa Fe Opera

John Vining

Tenor

Second Jew

Santa Fe Opera

Bruce Ford

Tenor

Third Jew

Santa Fe Opera

Randall Outland

Tenor

Fourth Jew

Santa Fe Opera

Joseph McKee

Bass-baritone

Fifth Jew

Santa Fe Opera

Ara Berberian

Bass

First Nazarene

Santa Fe Opera

Hal Thomas

Bass-baritone

Second Nazarene

John Crosby headshot

John Crosby

Conductor

Santa Fe Opera

Bliss Hebert

Director

Santa Fe Opera

Pauline Grant

Choreographer

Santa Fe Opera

Allen Charles Klein

Scenic Designer

Santa Fe Opera

Stephen Ross

Lighting Designer

Santa Fe Opera

Terry Lusk

Chorus Master