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1957 production photo from The Barber of Seville

The Barber of Seville 1957

July 31 - August 27, 1957

Figaro’s back…

…just in the nick of time, orchestrating a romance, foiling a dastardly plot, and lining his pockets with cash.  Rossini’s masterpiece is the pinnacle of comic opera, Italian-style.

Music By
Gioachino Rossini
Libretto By
Cesare Sterbini
After the Play By
Beaumarchais
English Version By
George Mead

Synopsis

Act I

During a visit to Seville, the young and dashing Count Almaviva glimpsed a beautiful young girl whose name was, he discovered, Rosina. Now he has come, with a group of musicians, to serenade her, and to win her heart. The Count hides when Figaro, the barber, bounds in, boasting of his busy life as the neighborhood factotum. Figaro recognizes the Count as a former employer, and tells him that Rosina is kept a virtual prisoner in the house as the ward of a certain Dr. Bartolo who plans to marry her himself. Figaro agrees to help Almaviva win the hand of Rosina. The conversation is interrupted by the appearance of Dr. Bartolo, and no sooner has he left when Almaviva launches into a second serenade, describing himself as the poor student, Lindoro. Rosina attempts a reply, but is interrupted. Figaro suggests that Almaviva disguise himself as a drunken soldier in order to gain access to the house, and as the Count dwells on his love, the barber happily anticipates his reward.

Alone, Rosina resolves to oppose Bartolo, and to have her way with the young student who has touched her heart. Dr. Bartolo having heard of Almaviva’s interest in his ward, is told by Don Basilio, Rosina’s music teacher, that the Count has been seen in the neighborhood. To drive the Count away, Basilio suggests a campaign of slander, but Bartolo is afraid it will take too long. Figaro overhears the plot. Warning Rosina that Bartolo plans to marry her the following day, the barber promises to deliver a note which she has written to Lindoro. Berta, the maid, answers a violent knocking at the door. It is Almaviva, disguised as a drunken soldier seeking a night’s lodging. During a long argument with Bartolo, Almaviva slips a love note to Rosina. Figaro rushes in to warn that a crowd, attracted by the sounds of argument, has gathered in the street. Police arrive to quiet the disturbance. As the officer in charge is about to arrest the drunken soldier, Almaviva reveals his identity.

Artists

Peter Binder

Peter Binder

Baritone

Figaro

Mary McMurray

Mary McMurray

Soprano

Rosina

Loren Driscoll

Loren Driscoll

Tenor

Count Almaviva

Andrew Foldi

Andrew Foldi

Bass-baritone

Doctor Bartolo

Regina Sarfaty

Regina Sarfaty

Mezzo-soprano

Berta

Spelios Constantine

Bass

Basilio

Robert Rue

Robert Rue

Baritone

Fiorello

Ronald Andrews

Bass

Ambrogio

Leonard Potter

Leonard Potter

Bass

Sergeant

Robert Baustian

Robert Baustian

Conductor

Henry Butler

Henry Butler

Director

Patton Campbell

Patton Campbell

Costume Designer

Production Designer