
The Barber of Seville 1965
Figaro’s back…
…just in the nick of time, orchestrating a romance, foiling a dastardly plot, and lining his pockets with cash. Rossini’s masterpiece is the pinnacle of comic opera, Italian-style.
Synopsis
Act I
During a visit to Seville, the young and dashing Count Almaviva glimpsed a beautiful young girl whose name was, he discovered, Rosina. Now he has come, with a group of musicians, to serenade her, and to win her heart. The Count hides when Figaro, the barber, bounds in, boasting of his busy life as the neighborhood factotum. Figaro recognizes the Count as a former employer, and tells him that Rosina is kept a virtual prisoner in the house as the ward of a certain Dr. Bartolo who plans to marry her himself. Figaro agrees to help Almaviva win the hand of Rosina. The conversation is interrupted by the appearance of Dr. Bartolo, and no sooner has he left when Almaviva launches into a second serenade, describing himself as the poor student, Lindoro. Rosina attempts a reply, but is interrupted. Figaro suggests that Almaviva disguise himself as a drunken soldier in order to gain access to the house, and as the Count dwells on his love, the barber happily anticipates his reward.
Artists

Helen Vanni
Mezzo-soprano
Rosina

William Justus
Baritone
Figaro

Charles K.L. Davis
Tenor
Count Almaviva

Donald Gramm
Bass-baritone
Dr. Bartolo

Peter Harrower
bass
Don Basilio

Patt O'Neill
Mezzo-soprano
Berta

Paul Franke
Tenor
Fiorello

T. N. Retif
Baritone
Ambrosio

Thomas Jamerson
Baritone
Captain of the Guard

Erich Kunzel
Conductor

Lotfi Mansouri
Director

John Wright Stevens
Scenic Designer

Patton Campbell
Costume Designer

Georg Schreiber
Lighting Designer

John Moriarty
Chorus Master