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The Barber of Seville 1965

July 2 - 17, 1965

Figaro’s back…

…just in the nick of time, orchestrating a romance, foiling a dastardly plot, and lining his pockets with cash.  Rossini’s masterpiece is the pinnacle of comic opera, Italian-style.

Music By
Gioacchino Rossini
Libretto By
Cesare Sterbini
Based on the Play By
Beaumarchais
English Translation By
Ruth and Thomas Martin

Synopsis

Act I

During a visit to Seville, the young and dashing Count Almaviva glimpsed a beautiful young girl whose name was, he discovered, Rosina. Now he has come, with a group of musicians, to serenade her, and to win her heart. The Count hides when Figaro, the barber, bounds in, boasting of his busy life as the neighborhood factotum. Figaro recognizes the Count as a former employer, and tells him that Rosina is kept a virtual prisoner in the house as the ward of a certain Dr. Bartolo who plans to marry her himself. Figaro agrees to help Almaviva win the hand of Rosina. The conversation is interrupted by the appearance of Dr. Bartolo, and no sooner has he left when Almaviva launches into a second serenade, describing himself as the poor student, Lindoro. Rosina attempts a reply, but is interrupted. Figaro suggests that Almaviva disguise himself as a drunken soldier in order to gain access to the house, and as the Count dwells on his love, the barber happily anticipates his reward.

Artists

Helen Vanni

Helen Vanni

Mezzo-soprano

Rosina

William Justus

Baritone

Figaro

Charles K.L. Davis

Tenor

Count Almaviva

Donald Gramm

Donald Gramm

Bass-baritone

Dr. Bartolo

Peter Harrower

bass

Don Basilio

Patt O'Neill

Mezzo-soprano

Berta

Paul Franke

Paul Franke

Tenor

Fiorello

T. N. Retif

Baritone

Ambrosio

Thomas Jamerson

Baritone

Captain of the Guard

Erich Kunzel

Erich Kunzel

Conductor

Lotfi Mansouri

Director

John Wright Stevens

Scenic Designer

Patton Campbell

Patton Campbell

Costume Designer

Georg Schreiber

Lighting Designer

John Moriarty

John Moriarty

Chorus Master