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22002 production photo from The Italian Girl in Algiers

The Italian Girl in Algiers 2002

June 29 - August 23, 2002

Beguiling melodies, propulsive ensembles and madcap stories…

…reach a climax as a signorina and a dictator duke it out in Rossini’s knockout comedy.

Music By
Gioachino Rossini
Libretto By
Angelo Anelli

Synopsis

Act I

Elvira complains to Zulma that her husband, Mustafa, is no longer in love with her. Mustafa rejects Elvira’s attempts to rekindle his ardor. He orders Ali, his henchman, to have Elvira married off to Lindoro, a recently captured slave, and to find a lusty young Italian woman to be his new wife.

Lindoro pines for Isabella, whom he has not seen for many months. Mustafa offers him a wife who combines beauty, wealth and kindness, but will not divulge her name.

Searching for Lindoro, Isabella and her traveling companion Taddeo are forced by a storm to seek refuge in Algiers. They are captured by Mustafa’s men. Ali discovers that Isabella is a genuine Italian woman and predicts that she will become the new star of the harem, much to Taddeo’s jealousy.

Lindoro agrees to marry Elvira, in exchange for his freedom and passage to Italy, just as Ali announces the arrival of the Italian girl and her “uncle” Taddeo. Mustafa falls immediately in love with Isabella and orders that the inconvenient uncle be impaled on the stake forthwith. Persuaded by Isabella’s charms, Mustafa agrees to make Lindoro her personal slave and to commute Taddeo’s execution.

Act II

Isabella reassures Lindoro of her faithfulness and plots their escape. To flatter Isabella, Mustafa appoints Taddeo a “Grand Kaimakan,” whose requirements include having “the strength of the lion, the guile of the serpent, and a set of good teeth.”

Isabella rebukes Elvira for meekly accepting Mustafa’s transgressions and vows to teach him a lesson. Knowing that all three men are observing, Isabella dons a seductive costume and sings of her love for an unnamed treasure, further inflaming the passions of the eavesdroppers.

Lindoro and Taddeo tell Mustafa that Isabella in turn wishes to honor him by making him a “Pappataci.” His duties will consist of making love, eating, drinking, sleeping, and never quarrelling. Mustafa enthusiastically agrees.

Isabella explains to the Italian captives that the “Pappataci” induction ceremony will actually be a ruse for them to escape. As the ceremony progresses, Mustafa tries to maintain his new regimen of eating, drinking, and silence, but eventually realizes that the Italians have escaped. Chastised, he vows to become a loving husband to Elvira.

Artists

Stephanie Blythe headshot

Stephanie Blythe

Mezzo-soprano

Isabella

Madeline Bender headshot

Madeline Bender

Soprano

Elvira

William Burden headshot

William Burden

Tenor

Lindoro

Mark S. Doss headshot

Mark S. Doss

Bass-baritone

Mustafà

Timothy Nolen headshot

Timothy Nolen

Baritone

Taddeo

Christopher Feigum headshot

Christopher Feigum

Bass-baritone

Ali

Piper Pack headshot

Piper Pack

Mezzo-soprano

Zulma

Yves Abel headshot

Yves Abel

Conductor

Edward Hastings headshot

Edward Hastings

Director

robert innes hopkins headshot

Robert Innes Hopkins

Scenic Designer

David C. Woolard headshot

David C. Woolard

Costume Designer

Duane Schuler headshot

Duane Schuler

Lighting Designer

Robert Wood headshot

Robert Wood

Chorus Master