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Anthony Roth Costanzo in the Santa Fe Opera World Premiere of John Corigliano and Mark Adamo's The Lord of Cries

The Lord of Cries 2021

July 17 - August 17, 2021

You have been asked once.

He lands tonight, on his ship of ghosts, under the scudding skies. His high, thin voice – Ecstasy and ruin! Dracul, Dracula: the Lord of Cries! Deny him not his place.

John Corigliano and Mark Adamo’s exciting new work is a juxtaposition of Bram Stoker’s Dracula and The Bacchae by Euripides. The result is a searing account that points to the monster inside ourselves, not society. This world premiere production is led by director James Darrah who has created a dream-like realm that will frighten and excite.

Music by
John Corigliano
Libretto by
Mark Adamo
Sung in
Instant Translation Screen
Commissioned by
The Santa Fe Opera
Production Support Generously Provided by
The Wyncote Foundation as recommended by Frederick R. Haas & Rafael Gomez
David A. Kaplan & Glenn A. Ostergaard, Brautigam-Kaplan Foundation
Robert L. Turner
Two Anonymous Donors
Additional Artistic Support Provided by
Drs. Susan & Dennis Carlyle
Agnes Hsu-Tang & Oscar Tang
– Tang Fund in honor of Anthony Roth Costanzo
Susan & Elihu Rose
The Carl & Marilynn Thoma Foundation
The National Endowment for the Arts
The Performances of Anthony Roth Costanzo are Supported by
Gene & Jean Stark
The performances of David Portillo are supported by
The MacKay Fund for Debut Artists
Production Illustration
Benedetto Cristofani
Run Time
Approximately 2 hours 47 minutes with one 25-minute intermission


  • Act I

    Prologue: Taking the Mask. Dionysus wrought bloody vengeance on ancient Thebes. If he must now come again, to forgetful Londoners, in 1897, what mask should he don?

    Chorus: London in Chaos. A scourge is upon the city: girls are drawn spellbound out of sleep to meet three weird Sisters, returning home with wounded throats. Doctor John Seward, leader of Carfax Asylum, has imposed martial law; and all women found outside at night have been arrested–including the Sisters, who offered no resistance, only the refrain, “The Lord of Cries! Deny him not his place…”

    Jonathan in Madness. Jonathan Harker, sent by Seward to meet a “petty boyar” claiming a deed to Carfax Abbey, has returned with a shattered mind. His wife Lucy Westenra is horrified to find him raving about a “Lord of Cries.” Doctor van Helsing gives her Jonathan’s travel diary. Seward promises to end this madness (which includes his own secret passion for Lucy), appealing to his father’s portrait for the fortitude to “repress! restrain!”

    Montage: Dreams, diary, dispatch. | In a nightmare, an exotic prince dared Lucy to “Ask for what you want….” as did the three Sisters whom Jonathan met at the Count’s castle. | The Greek ship Semele blows aground after a monstrous storm–with only the captain’s corpse aboard.| Jonathan has a vision of the Lord of Cries.

    The Stranger in Chains. The Count, like the Sisters, has been arrested unresisting. He assures Seward that Dionysus alone holds the right to the Abbey, warning: “He has asked you twice.” Lucy enters, and van Helsing exits, urging Seward to “Give him what he wants.” Alone together, Seward and Lucy read Jonathan’s diary in which the Sisters bid him “ask it in…” Jonathan’s words become Seward’s own, and the childhood friends can scarcely suppress their mutual desire. The walls tremble, and Dionysus appears in his true form at last. Madwomen break loose and tear the Asylum down.

  • Act II

    Dialogue in the Ruins. Carfax is shattered, and those who would rescue the inmates lose themselves in a mapless maze. The Sisters praise the beauty of the ruins and, when Seward enters his office, ask a third time whether he will acknowledge the Stranger’s power. They seduce, he resists — and finally asks for what he wants, which is to stop the Stranger. They tell him he must behead the god in his animal form, becoming, briefly, a beast himself.

    Lucy and the Wolf-prince. In her chambers Lucy tends to Jonathan. Hearing wolf-cries, she looks out the window to find her dream-prince. He asks her, for the third time, to ask him in. She considers, but demurs. She notices he casts no reflection in the glass. He doubts her happiness and challenges her morality. He provokes her to face herself; inflamed, she invites him inside.

    Vengeance of the Lord of Cries. Van Helsing recounts Seward’s wild night ride, and Seward carries in what he believes is the Count’s severed head. Van Helsing gradually talks him out of his trance and he realizes what he has done. Dionysus offers to show everyone his reflection, and the ruins become glittering mirrors. The chorus mourns Seward’s fate and warns the spectators of the wrath of the god.


Kathryn Henry Headshot

Kathryn Henry


Lucy Harker

Anthony Roth Costanzo headshot

Anthony Roth Costanzo



David Portillo headshot

David Portillo


Jonathan Harker

Jarrett Ott headshot

Jarrett Ott


John Seward

Matt Boehler headshot

Matt Boehler


Van Helsing

Kevin Burdette headshot

Kevin Burdette



Leah Brzyski Headshot

Leah Brzyski



Rachel Blaustein Headshot

Rachel Blaustein



Megan Moore Headshot

Megan Moore



Robert Stahley Headshot

Robert Stahley



Johannes Debus headshot

Johannes Debus


James Darrah headshot

James Darrah


Adam Rigg headshot

Adam Rigg

Scenic Designer

Chrisi Karvonides headshot

Chrisi Karvonides-Dushenko

Costume Designer

Pablo Santiago headshot

Pablo Santiago

Lighting Designer

Adam Larsen headshot

Adam Larsen

Projection Designer

Mark Grey headshot

Mark Grey

Sound Designer

Susanne Sheston headshot

Susanne Sheston

Chorus Master

Anderson Nunnelley headshot

Anderson Nunnelley

Assistant Director

Anthony Roth Constanzo
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The-Lord-of-Cries illustration
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Prelude Talk: The Lord of Cries

Another Look: The Lord of Cries