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The Mother of Us All 1976

August 7 - 25, 1976

A unique pageant-opera…

…of 19th century American suffragette, Susan B. Anthony

Music By
Virgil Thompson
Text By
Gertrude Stein
Scenario By
Maurice Grosser

Synopsis

Act I

The Mother of Us All is a pageant which blends history with fantasy. It celebrates the life and character of Susan B. Anthony, the 19th century American crusader for women’s rights. Gertrude Stein and Virgil Thomson appear throughout the opera as narrators. Some of the characters are historical figures of the 19th and early 20th centuries; others are purely imaginary.

Scene I: A room in Susan B. Anthony’s house. The opening scene, a prologue narrated by Virgil T., presents the quiet home life of Susan B. Anthony and her companion Anne.

Scene 2: A political rally. The meeting takes the form of a debate between Susan B. Anthony and Daniel Webster. The scene begins with good-natured bickering and teasing among members of the audience – Jo the Loiterer, Chris the Citizen, and Angel More. The debate begins as Susan B. asks the audience to cease their chatter. The debate itself consists of bits and pieces of actual speeches of the two participants. As the debate comes to an end, the others return to their teasing.

Scene 3: In front of Susan B. Anthony’s house. Andrew Johnson and Thaddeus Stevens become involved in a political argument, as they always do when they meet. John Adams courts Constance Fletcher with great style and no success, as he always does when they meet. The scene ends with comments by Chris and Jo and the others on the quarrelsome nature of man.

Scene 4: The same. Susan B. considers the difficulties of the women’s suffrage movement. She sees a vision of a Negro man and woman and realizes that, although she fought to enable him to vote, she herself still cannot vote. Even the three VIP’s – Andrew Johnson, Thaddeus Stevens, and Daniel Webster – cannot or will not help her in her struggle. Then Jo the Loiterer and Chris the Citizen enter and ask her the difference between the rich and the poor; she answers that as long as her pen has ink, there is for her no wealth and no poverty.

Scene 5: The same. A crowd gathers for the wedding of Indiana Elliot and Jo the Loiterer. During the course of the ceremony, Susan B. addresses the gathering on what marriage means for women, and John Adams again courts Constance Fletcher. Indiana’s brother rushes in, determined to prevent the wedding, but is restrained. As the ceremony concludes, Susan B. confidently predicts that all their children, women and men alike, will have the vote.

Artists

Mignon Dunn

Mezzo-soprano

Susan B. Anthony

Batyah Godfrey

Contralto

Anne

Aviva Orvath

Soprano

Gertrude S.

Gene Ives

Baritone

Virgil T.

Philip Booth

Bass

Daniel Webster

James Atherton

Tenor

Jo the Loiterer

Joseph McKee

Bass-baritone

Chris the Citizen

Linn Maxwell

Mezzo-soprano

Indiana Elliot

Ashley Putnam

Ashley Putnam

Soprano

Angel More

David W. Fuller

Bass-baritone

Anthony Comstock

William Lewis

William Lewis

Tenor

John Adams

Douglas Perry

Douglas Perry

Tenor

Thaddeus Stevens

Helen Vanni

Helen Vanni

Mezzo-soprano

Constance Fletcher

James McKeel

Baritone

Gloster Heming

Billie Nash

Mezzo-soprano

Isabel Wentworth

Jimmie Lu Null

Mezzo-soprano

Anna Hope

Karen Beck

Soprano

Lillian Russell

Sondra Stowe

Mezzo-soprano

Jenny Reefer

Steven Loewengart

Bass-baritone

Ulysses S. Grant

Ronald Raines

Baritone

Herman Atlan

Paul Mabry

Baritone

Donald Gallup

Thomas Parker

Tenor

Andrew J.

Marla McDaniels

Mezzo-soprano

Negro Woman

D'Artagnan Petty

Tenor

Negro Man

Stephen Bryant

Bass-baritone

Indiana Elliot's Brother

Raymond Leppard

Conductor

Peter Wood

Director

Robert Indiana

Scenic & Costume Designer

Georg Schreiber

Lighting Designer

Terry Lusk

Chorus Master